《基督山伯爵》第095章 父与女
WE SAW in a preceding chapter how Madame Danglars went formally to announce to Madame de Villefort the approaching marriage of Eug茅nie Danglars and M. Andrea Cavalcanti. This announcement, which implied or appeared to imply, the approval of all the persons concerned in this momentous affair, had been preceded by a scene to which our readers must be admitted. We beg them to take one step backward, and to transport themselves, the morning of that day of great catastrophes, into the showy, gilded salon we have before shown them, and which was the pride of its owner, Baron Danglars. In this room, at about ten o'clock in the morning, the banker himself had been walking to and fro for some minutes thoughtfully and in evident uneasiness, watching both doors, and listening to every sound. When his patience was exhausted, he called his valet. "Etienne," said he, "see why Mademoiselle Eug茅nie has asked me to meet her in the drawing-room, and why she makes me wait so long."
Having given this vent to his ill-humor, the baron became more calm; Mademoiselle Danglars had that morning requested an interview with her father, and had fixed on the gilded drawing-room as the spot. The singularity of this step, and above all its formality, had not a little surprised the banker, who had immediately obeyed his daughter by repairing first to the drawing-room. Etienne soon returned from his errand. "Mademoiselle's lady's maid says, sir, that mademoiselle is finishing her toilette, and will be here shortly."
Danglars nodded, to signify that he was satisfied. To the world and to his servants Danglars assumed the character of the good-natured man and the indulgent father. This was one of his parts in the popular comedy he was performing,--a make-up he had adopted and which suited him about as well as the masks worn on the classic stage by paternal actors, who seen from one side, were the image of geniality, and from the other showed lips drawn down in chronic ill-temper. Let us hasten to say that in private the genial side descended to the level of the other, so that generally the indulgent man disappeared to give place to the brutal husband and domineering father. "Why the devil does that foolish girl, who pretends to wish to speak to me, not come into my study? and why on earth does she want to speak to me at all?"
He was turning this thought over in his brain for the twentieth time, when the door opened and Eug茅nie appeared, attired in a figured black satin dress, her hair dressed and gloves on, as if she were going to the Italian Opera. "Well, Eug茅nie, what is it you want with me? and why in this solemn drawing-room when the study is so comfortable?"
"I quite understand why you ask, sir," said Eug茅nie, making a sign that her father might be seated, "and in fact your two questions suggest fully the theme of our conversation. I will answer them both, and contrary to the usual method, the last first, because it is the least difficult. I have chosen the drawing-room, sir, as our place of meeting, in order to avoid the disagreeable impressions and influences of a banker's study. Those gilded cashbooks, drawers locked like gates of fortresses, heaps of bank-bills, come from I know not where, and the quantities of letters from England, Holland, Spain, India, China, and Peru, have generally a strange influence on a father's mind, and make him forget that there is in the world an interest greater and more sacred than the good opinion of his correspondents. I have, therefore, chosen this drawing-room, where you see, smiling and happy in their magnificent frames, your portrait, mine, my mother's, and all sorts of rural landscapes and touching pastorals. I rely much on external impressions; perhaps, with regard to you, they are immaterial, but I should be no artist if I had not some fancies."
"Very well," replied M. Danglars, who had listened to all this preamble with imperturbable coolness, but without understanding a word, since like every man burdened with thoughts of the past, he was occupied with seeking the thread of his own ideas in those of the speaker.
"There is, then, the second point cleared up, or nearly so," said Eug茅nie, without the least confusion, and with that masculine pointedness which distinguished her gesture and her language; "and you appear satisfied with the explanation. Now, let us return to the first. You ask me why I have requested this interview; I will tell you in two words, sir; I will not marry count Andrea Cavalcanti."
Danglars leaped from his chair and raised his eyes and arms towards heaven.
"Yes, indeed, sir," continued Eug茅nie, still quite calm; "you are astonished, I see; for since this little affair began, I have not manifested the slightest opposition, and yet I am always sure, when the opportunity arrives, to oppose a determined and absolute will to people who have not consulted me, and things which displease me. However, this time, my tranquillity, or passiveness as philosophers say, proceeded from another source; it proceeded from a wish, like a submissive and devoted daughter" （a slight smile was observable on the purple lips of the young girl）， "to practice obedience."
"Well?" asked Danglars.
"Well, sir," replied Eug茅nie, "I have tried to the very last and now that the moment has come, I feel in spite of all my efforts that it is impossible."
"But," said Danglars, whose weak mind was at first quite overwhelmed with the weight of this pitiless logic, marking evident premeditation and force of will, "what is your reason for this refusal, Eug茅nie? what reason do you assign?"
"My reason?" replied the young girl. "Well, it is not that the man is more ugly, more foolish, or more disagreeable than any other; no, M. Andrea Cavalcanti may appear to those who look at men's faces and figures as a very good specimen of his kind. It is not, either, that my heart is less touched by him than any other; that would be a schoolgirl's reason, which I consider quite beneath me. I actually love no one, sir; you know it, do you not? I do not then see why, without real necessity, I should encumber my life with a perpetual companion. Has not some sage said, 'Nothing too much'? and another, 'I carry all my effects with me'? I have been taught these two aphorisms in Latin and in Greek; one is, I believe, from Ph?drus, and the other from Bias. Well, my dear father, in the shipwreck of life--for life is an eternal shipwreck of our hopes--I cast into the sea my useless encumbrance, that is all, and I remain with my own will, disposed to live perfectly alone, and consequently perfectly free."
"Unhappy girl, unhappy girl！" murmured Danglars, turning pale, for he knew from long experience the solidity of the obstacle he had so suddenly encountered.
"Unhappy girl," replied Eug茅nie, "unhappy girl, do you say, sir? No, indeed; the exclamation appears quite theatrical and affected. Happy, on the contrary, for what am I in want of！ The world calls me beautiful. It is something to be well received. I like a favorable reception; it expands the countenance, and those around me do not then appear so ugly. I possess a share of wit, and a certain relative sensibility, which enables me to draw from life in general, for the support of mine, all I meet with that is good, like the monkey who cracks the nut to get at its contents. I am rich, for you have one of the first fortunes in France. I am your only daughter, and you are not so exacting as the fathers of the Porte Saint-Martin and Gaiet茅, who disinherit their daughters for not giving them grandchildren. Besides, the provident law has deprived you of the power to disinherit me, at least entirely, as it has also of the power to compel me to marry Monsieur This or Monsieur That. And so--being, beautiful, witty, somewhat talented, as the comic operas say, and rich--and that is happiness, sir--why do you call me unhappy?"
Danglars, seeing his daughter smiling, and proud even to insolence, could not entirely repress his brutal feelings, but they betrayed themselves only by an exclamation. Under the fixed and inquiring gaze levelled at him from under those beautiful black eyebrows, he prudently turned away, and calmed himself immediately, daunted by the power of a resolute mind. "Truly, my daughter," replied he with a smile, "you are all you boast of being, excepting one thing; I will not too hastily tell you which, but would rather leave you to guess it." Eug茅nie looked at Danglars, much surprised that one flower of her crown of pride, with which she had so superbly decked herself, should be disputed. "My daughter," continued the banker, "you have perfectly explained to me the sentiments which influence a girl like you, who is determined she will not marry; now it remains for me to tell you the motives of a father like me, who has decided that his daughter shall marry." Eug茅nie bowed, not as a submissive daughter, but as an adversary prepared for a discussion.
"My daughter," continued Danglars, "when a father asks his daughter to choose a husband, he has always some reason for wishing her to marry. Some are affected with the mania of which you spoke just now, that of living again in their grandchildren. This is not my weakness, I tell you at once; family joys have no charm for me. I may acknowledge this to a daughter whom I know to be philosophical enough to understand my indifference, and not to impute it to me as a crime."
"This is not to the purpose," said Eug茅nie; "let us speak candidly, sir; I admire candor."
"Oh," said Danglars, "I can, when circumstances render it desirable, adopt your system, although it may not be my general practice. I will therefore proceed. I have proposed to you to marry, not for your sake, for indeed I did not think of you in the least at the moment （you admire candor, and will now be satisfied, I hope）； but because it suited me to marry you as soon as possible, on account of certain commercial speculations I am desirous of entering into." Eug茅nie became uneasy.
"It is just as I tell you, I assure you, and you must not be angry with me, for you have sought this disclosure. I do not willingly enter into arithmetical explanations with an artist like you, who fears to enter my study lest she should imbibe disagreeable or anti-poetic impressions and sensations. But in that same banker's study, where you very willingly presented yourself yesterday to ask for the thousand francs I give you monthly for pocket-money, you must know, my dear young lady, that many things may be learned, useful even to a girl who will not marry. There one may learn, for instance, what, out of regard to your nervous susceptibility, I will inform you of in the drawing-room, namely, that the credit of a banker is his physical and moral life; that credit sustains him as breath animates the body; and M. de Monte Cristo once gave me a lecture on that subject, which I have never forgotten. There we may learn that as credit sinks, the body becomes a corpse, and this is what must happen very soon to the banker who is proud to own so good a logician as you for his daughter." But Eug茅nie, instead of stooping, drew herself up under the blow. "Ruined?" said she.
"Exactly, my daughter; that is precisely what I mean," said Danglars, almost digging his nails into his breast, while he preserved on his harsh features the smile of the heartless though clever man; "ruined--yes, that is it."
"Ah！" said Eug茅nie.
"Yes, ruined！ Now it is revealed, this secret so full of horror, as the tragic poet says. Now, my daughter, learn from my lips how you may alleviate this misfortune, so far as it will affect you."
"Oh," cried Eug茅nie, "you are a bad physiognomist, if you imagine I deplore on my own account the catastrophe of which you warn me. I ruined? and what will that signify to me? Have I not my talent left? Can I not, like Pasta, Malibran, Grisi, acquire for myself what you would never have given me, whatever might have been your fortune, a hundred or a hundred and fifty thousand livres per annum, for which I shall be indebted to no one but myself; and which, instead of being given as you gave me those poor twelve thousand francs, with sour looks and reproaches for my prodigality, will be accompanied with acclamations, with bravos, and with flowers? And if I do not possess that talent, which your smiles prove to me you doubt, should I not still have that ardent love of independence, which will be a substitute for wealth, and which in my mind supersedes even the instinct of self-preservation? No, I grieve not on my own account, I shall always find a resource; my books, my pencils, my piano, all the things which cost but little, and which I shall be able to procure, will remain my own.
"Do you think that I sorrow for Madame Danglars? Undeceive yourself again; either I am greatly mistaken, or she has provided against the catastrophe which threatens you, and, which will pass over without affecting her. She has taken care for herself,--at least I hope so,--for her attention has not been diverted from her projects by watching over me. She has fostered my independence by professedly indulging my love for liberty. Oh, no, sir; from my childhood I have seen too much, and understood too much, of what has passed around me, for misfortune to have an undue power over me. From my earliest recollections, I have been beloved by no one--so much the worse; that has naturally led me to love no one--so much the better--now you have my profession of faith."
"Then," said Danglars, pale with anger, which was not at all due to offended paternal love,--"then, mademoiselle, you persist in your determination to accelerate my ruin?"
"Your ruin? I accelerate your ruin? What do you mean? I do not understand you."
"So much the better, I have a ray of hope left; listen."
"I am all attention," said Eug茅nie, looking so earnestly at her father that it was an effort for the latter to endure her unrelenting gaze.
"M. Cavalcanti," continued Danglars, "is about to marry you, and will place in my hands his fortune, amounting to three million livres."
"That is admirable！" said Eug茅nie with sovereign contempt, smoothing her gloves out one upon the other.
"You think I shall deprive you of those three millions," said Danglars; "but do not fear it. They are destined to produce at least ten. I and a brother banker have obtained a grant of a railway, the only industrial enterprise which in these days promises to make good the fabulous prospects that Law once held out to the eternally deluded Parisians, in the fantastic Mississippi scheme. As I look at it, a millionth part of a railway is worth fully as much as an acre of waste land on the banks of the Ohio. We make in our case a deposit, on a mortgage, which is an advance, as you see, since we gain at least ten, fifteen, twenty, or a hundred livres' worth of iron in exchange for our money. Well, within a week I am to deposit four millions for my share; the four millions, I promise you, will produce ten or twelve."
"But during my visit to you the day before yesterday, sir, which you appear to recollect so well," replied Eug茅nie, "I saw you arranging a deposit--is not that the term?--of five millions and a half; you even pointed it out to me in two drafts on the treasury, and you were astonished that so valuable a paper did not dazzle my eyes like lightning."
"Yes, but those five millions and a half are not mine, and are only a proof of the great confidence placed in me; my title of popular banker has gained me the confidence of charitable institutions, and the five millions and a half belong to them; at any other time I should not have hesitated to make use of them, but the great losses I have recently sustained are well known, and, as I told you, my credit is rather shaken. That deposit may be at any moment withdrawn, and if I had employed it for another purpose, I should bring on me a disgraceful bankruptcy. I do not despise bankruptcies, believe me, but they must be those which enrich, not those which ruin. Now, if you marry M. Cavalcanti, and I get the three millions, or even if it is thought I am going to get them, my credit will be restored, and my fortune, which for the last month or two has been swallowed up in gulfs which have been opened in my path by an inconceivable fatality, will revive. Do you understand me?"
"Perfectly; you pledge me for three millions, do you not?"
"The greater the amount, the more flattering it is to you; it gives you an idea of your value."
"Thank you. One word more, sir; do you promise me to make what use you can of the report of the fortune M. Cavalcanti will bring without touching the money? This is no act of selfishness, but of delicacy. I am willing to help rebuild your fortune, but I will not be an accomplice in the ruin of others."
"But since I tell you," cried Danglars, "that with these three million"--
"Do you expect to recover your position, sir, without touching those three million?"
"I hope so, if the marriage should take place and confirm my credit."
"Shall you be able to pay M. Cavalcanti the five hundred thousand francs you promise for my dowry?"
"He shall receive then on returning from the mayor's."*
* The performance of the civil marriage.
"Very well！"
"What next? what more do you want?"
"I wish to know if, in demanding my signature, you leave me entirely free in my person?"
"Absolutely."
"Then, as I said before, sir,--very well; I am ready to marry M. Cavalcanti."
"But what are you up to?"
"Ah, that is my affair. What advantage should I have over you, if knowing your secret I were to tell you mine?" Danglars bit his lips. "Then," said he, "you are ready to pay the official visits, which are absolutely indispensable?"
"Yes," replied Eug茅nie.
"And to sign the contract in three days?"
"Yes."
"Then, in my turn, I also say, very well！" Danglars pressed his daughter's hand in his. But, extraordinary to relate, the father did not say, "Thank you, my child," nor did the daughter smile at her father. "Is the conference ended?" asked Eug茅nie, rising. Danglars motioned that he had nothing more to say. Five minutes afterwards the piano resounded to the touch of Mademoiselle d'Armilly's fingers, and Mademoiselle Danglars was singing Brabantio's malediction on Desdemona. At the end of the piece Etienne entered, and announced to Eug茅nie that the horses were in the carriage, and that the baroness was waiting for her to pay her visits. We have seen them at Villefort's; they proceeded then on their course.
我们在前一章 里曾提到腾格拉尔夫人到维尔福夫人那儿正式公布了欧热妮路腾格拉尔和安德烈路卡瓦尔康蒂的婚期。这个公布表示，看上去似乎表明，一切跟这件事有关系的人都似乎同意了这件事，但在作这个决定以前，还曾发生过一幕我们的读者不十分清楚的场面。我们要求读者们回到马尔塞夫伯爵自杀的那天早晨，走进腾格拉尔男爵引以自豪的那间华丽的镀金的客厅。在那间客厅里，约莫在早晨十点钟的时候，银行家在那儿踱来踱去；他已踱了大约很长一段时间，脸上露出深思而惶恐不安的神情，注意着每一扇门，倾听着每一个声音。他终于耐不住了，吩咐他的仆人。鈥溡劳涯幔��
他说，鈥溔タ纯次裁磁啡饶菪〗阋以诳吞锏人纸形业日饷淳谩ｂ��
发了一阵脾气以后，男爵心里觉得平静了。腾格拉尔小姐那天早晨曾要求见她的父亲一次，并指定客厅作为会见的地方。这个奇怪的做法并没有使那位银行家感到惊奇，他立刻遵从他女儿的意愿，先到客厅等候。依脱尼不久就回来交差了。鈥溞〗愕逆九嫠呶遥�澦担�溞〗憧煲嶙蓖瓯狭耍换岫屠础ｂ��
腾格拉尔点点头，表示他很满意。对外界和对他的仆人，腾格拉尔象是一位好好先生又象是一位软弱的父亲。这是他在这幕喜剧里所扮演的角色之一；这个角色对他很合适，正如在古代的戏剧中，有些父亲的假面具，右嘴唇是向上翘的，带笑的，而左嘴唇是向下垂的，假装哭泣的。我们得赶快声明一句，在内心，那副笑嘴笑脸常常消失而露出那副死板的面孔来的；所以我们经常见不到那个宽厚大度的人而只见到那残酷的丈夫和专制的父亲。鈥溎巧笛就芳热幌牒臀宜祷埃裁床坏轿业氖榉坷锢茨兀慷裁匆臀姨富澳兀库��
正当他把这个恼人的念头在他的脑子里转到第二十遍的时候，客厅门开了，欧热妮走了进来，她穿着一件贴身的缎子衣服，头发梳得齐齐整整，戴着手套，象是得到意大利歌剧院去看戏的。
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鈥溤颍库�澞乔嗄旯媚锎鸬馈ｂ�溹牛〔⒉皇俏苏飧鋈吮缺鸬娜巳烁蟆⒏炕蚋钊颂盅帷２唬驳铝�路卡瓦尔康蒂先生从外貌上讲，甚至可以算是一个长得不错的人。也不是为了他能感动我的心，鈥斺�斈侵皇且桓雠睦碛桑胰衔乙丫四歉鼋锥巍Ｎ沂翟诿挥邪桓鋈耍笙拢赖模皇锹穑课沂贾詹幻靼孜裁从Ω酶业纳罴由弦桓鲇谰玫耐侠邸Ｒ晃徽苎Ъ也皇撬倒�槻灰パ扒竽悴恍枰亩麾�櫍硪晃徽苋瞬皇且菜碘�樢阅惚旧淼囊磺形汊�櫬穑空饬骄涓裱晕沂谴永∥暮拖＠拔睦镅Ю吹摹Ｇ耙痪洌蚁嘈牛欠淹樱鄯淹邮枪拔迨兰拖＠把约摇ｂ�斺�斠胱ⅲ菟档模笠痪洌潜影⑺梗郾影⑺故枪傲兰拖＠八狡呦椭弧ｂ�斺�斠胱ⅲ菟档摹｀牛仪装牡谏畹闹劾镡�斺�斠蛭罹鸵馕蹲乓淮未蜗Ｍ某林垅�斺�斘野岩磺形抻玫耐侠鄱既拥胶＠铮皇侨绱硕选Ｎ铱孔抛约旱囊庵净钕吕矗栽竿耆郎砩睿庋涂梢酝耆３肿杂伞ｂ��
鈥湶恍业暮⒆樱〔恍业暮⒆樱♀�澨诟窭洁熳潘担成缘貌园灼鹄矗蛭莩て诘木椋浪蝗坏卦獾降恼习钦庋慕崾怠�
鈥湶恍遥♀�澟啡饶荽鸬溃�湼笙拢凳遣恍衣穑烤霾皇堑模侵痔鞠⒃谖铱此坪跏亲俺隼吹摹Ｕ上喾矗液苄腋！Ｎ椅誓蚁衷诨谷鄙偈裁矗咳思叶妓滴页さ煤苊溃强梢园镏沂艿绞⑶榈目畲Ｎ蚁不兜玫交队慕哟蛭迸匀擞眯α诚嘤氖焙颍抑芪У娜司拖缘妹挥心茄罅恕Ｎ移挠幸坏阒腔郏⑶一瓜嗟泵舾校庾芸梢允刮野岩话闳松罾锼苷业降挠诺闳磕扇氲轿易约旱纳罾铮�斺�斚蠛镒哟蛩楹铱浅云渲械娜庖谎Ｎ液芨挥校蛭欠ü谝涣鞯母晃蹋沂悄亩郎６换嵬绻痰较笫�路马丁和拉加蒂剧院舞台上的父亲一样，不会因为他们的女儿生不出外孙女儿就剥夺她的继承权。况且，根据继承法，您也不能剥夺我的继承权，至少不能剥夺我的全部继承权，鈥斺�斘抑砸乇鹛岢稣庖坏悖蛭庖彩且恢智科任壹奕说牧α俊Ｋ裕颐览觯执厦鳎钟星笙簿缋锼档哪茄钟屑阜痔觳牛�斺�斈蔷褪切腋Ａ搜剑笙拢裁匆滴沂遣恍业哪兀库��
腾格拉尔看到他女儿那种笑容满面，傲慢得几乎到了狂妄的语气，于也忍不住心中的一股怒气。但是，那股怒气只是从一声叹息里发泄了出来。在他女儿询问的凝视之下，面对着那两条带有疑问表情的美丽的黑眉毛，他小心地转过头去，立刻用谨慎的铁腕平静了自己。鈥溦娴模业呐剑�澦乓桓鑫⑿Υ鸬溃�溎闼档囊磺卸级裕挥幸谎虑槭遣欢缘模以菔毕炔桓嫠吣隳鞘鞘裁矗媚阕约郝シ⑾炙ｂ��
欧热妮望着腾格拉尔，很惊奇她那引以自傲的那些优点竟没有一项被反驳。
鈥溛业呐剑�澞俏灰屑壹绦担�溎阋丫涯阋桓鼍鲂牟患奕说墓媚锏母邢耄耆馐透姨衷谟Ω糜晌依锤嫠吣悖合笪艺庋桓鲋匆庖盟呐奕说母盖祝烤故俏耸裁础ｂ��
欧热妮鞠了一躬，但她的神态不象是一驯服的女儿，而象是一个随时准备辩论的对手。
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鈥溹牛♀�� 腾格拉尔说，鈥湹鼻槭菩枰艺庋龅氖焙颍铱梢圆扇∧愕陌旆ǎ淙徽獠⒉皇俏乙还岬淖鞣纭Ｎ抑砸澳憬峄椋⒉皇俏四愕脑倒剩蛭辽僭诘笔蔽业娜访挥邢氲侥恪Ｄ阍蕹商拱祝蚁Ｍ谀憧梢月懔恕Ｎ抑砸叽倌愀峡旖峄椋俏宋业纳桃怠ｂ�澟啡饶菹猿霾话驳纳袂椤ｂ�湹娜肥钦庋铱梢员Ｖぃ阋欢ú灰张蛭馐悄阕约阂医渤隼吹摹６韵竽阏庋囊桓鲆帐跫遥也辉敢庾飨晗傅氖纸馐停闵踔僚伦呓业氖榉浚峙氯旧戏词獾挠∠蠛透写ァ５驮谀羌湟屑业氖榉坷铮驮谀阕蛱煨母是樵傅刈呓聪蛭姨帜敲吭率Хɡ闪阌们牡胤剑惚匦胫溃仪装男〗悖梢匝У叫矶嗍虑椋踔裂У蕉砸桓霾辉附峄榈墓媚镆灿杏玫氖虑椤Ｆ┤缢担谀嵌�斺�敳慌履慊骋桑以诳吞镆部梢哉庋嫠吣悖�斺�斠桓鋈司涂梢匝У剑阂晃灰屑业男庞茫褪撬娜馓迳偷赖律Ｐ庞糜谒此担绾粑杂谒纳硖逡谎；缴较壬幸淮卧谡庖坏闵隙晕医补庖环埃鞘俏矣涝恫换嵬堑摹Ｔ谀嵌桓鋈丝梢匝У剑旱毙庞孟У氖焙颍馓寰兔挥猩恕Ｕ饩褪悄俏挥行易鲆桓雠帐跫抑傅囊屑也痪镁捅匦胍庥龅降那樾巍ｂ��
但欧热妮在这个打击之下并没有显得垂头丧气。反而挺直了她的身体。鈥溒撇耍♀�澦怠�
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腾格拉尔表示他已无话可说了。五分钟以后，钢琴声在亚密莱小姐的手指下又响起来，接着腾格拉尔小姐的歌声也传了出来。一曲唱罢，依脱尼走进来，向欧热妮通报马车已经准备好了，男爵夫人已经在等她一同去访客。我们已在维尔福家里见到她们母女俩；那是第一个接受她们拜访的人家。
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